- Joined
- Oct 19, 2009
- Messages
- 1,479
- Reaction score
- 303
- Location
- Newport, South Wales
- Hive Type
- National
- Number of Hives
- >6
There are two things to consider, the quality of the light source and the surface that is reflecting the light back. The colour wheel below shows the three primary colours, the three secondary colours and 'white' in the centre. It is difficult to get true white as almost all sources are bias to one or the other colours. If you place a piece of pure red cloth in the centre or in the red or ether of the secondarys it will look red, as there is red light falling on it and is reflected back. If you move it to the blue light it will appear to go black, no red light to reflect back.
That is all true. However, with your theatre lighting you are dealing with additive colour mixing using coloured lights. With painted beehives, coloured fabric or whatever we have subtractive colour mixing. Normally the light source is daylight, a much broader spectrum than is provided by 3 coloured lights, and includes the visible specra of humans and bees.
With additive colour mixing, the primaries are red (R), blue (B) and green (G) and secondaries are cyan (C), magenta (M) and yellow (Y), as you said. The primaries correspond to the colour sensitive cones in human eyes, which contain pigments. With subtractive mixing this is reversed, so C, M and Y are the primaries and R, G and B are the secondaries. Ie to make R, mix M and Y paint.
The colour wheel does serve to illustrate the point I made about absorbtion and complementary colours. In the centre there is white light where the R, G and B lights intersect (R + G + B = W). Just below the white area, where the B and G lights intersect but not R, the colour is C. Ie, C = W - R. So if a painted surface is illuminated with daylight (ie white light) and it absorbs R light it is perceived by humans as C. If it absorbs only a little red light it will be pale C, if a lot of R is absorbed the C will be deeper. For the surface to appear white, it must reflect all the incident light - and obviously for black it must reflect none.
If you replace the red with ultra violet in the wheel you will get the colours a bee might see with and putting something red anywhere in the wheel will look black as there is not a red 'source' to reflect back.
The reason your red cloth looks black is because you are illuminating it only with light that it absorbs. That doesn't mean it absorbs all light except R - in fact it is reflecting M and Y in the human visible spectrum and (probably) UV in the bees' visible spectrum. So since it reflects some of the light in the bees' visible spectrum, it will appear coloured to them - but not black.
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